1994 Original German Poster, Kabale Und Liebe (The 100 Best Posters Collection)
1994 Original German Poster, Kabale Und Liebe (The 100 Best Posters Collection)
1994 Original German Poster, Kabale Und Liebe (The 100 Best Posters Collection)
1994 Original German Poster, Kabale Und Liebe (The 100 Best Posters Collection)

1994 Original German Poster, Kabale Und Liebe (The 100 Best Posters Collection)

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Date: 1994
Size:
28.5 x 40.5 inches
Artist: Holger Matthies
Printer: Toppan Printing Co.

About The 100 Best Posters Collection:
This poster was originally created by Holger Matthies in 1988 for the play Kabale und Liebe (Cabal and Love). This is an official reissue from 1994 from the collection The 100 best posters from Europe and the United States / 1945-1990.

"In describing the rationale behind this portfolio, Hiromichi Fujita, the President of Toppan Printing Co., explains in the introduction that, "the decision to publish The 100 Best Posters from Europe and the United States 1945-1990 was motivated by our earlier collection of Japanese reproductions published four years ago . . . the first collection was intended as a small contribution to the field of graphic design, which has enjoyed an inseparable relationship with the printing industry for many years now." The selection of posters in this collection were chosen by a panel consisting of Steven Heller, Alain Weill, Milton Glaser and Yusaku Kamekura. All posters chosen (...) were reproduced and were then donated to art museums and related educational institutions in 200 locations around the world. In addition to being forms of expression, these posters, which were created in the diverse social conditions that have prevailed since the end of World War II, truly serve as a testament to the age in which they were produced." (Source: swanngalleries.com)

About the poster: The sobriety of this poster serves to highlight the drama it creates. To illustrate this romantic play by Schiller, Holger Matthies limited himself to type: the title, as well as the rest of the text, are grouped on top, while the e of Liebe falls in flames into the emptiness below, which is made to seem even more vertiginous, conveying almost insufferable emotion. The work confirms, as if confirmation were needed, that only very strong concepts can effectively evoke a theatrical production without giving it away. (Source: The 100 best posters from Europe and the United States / 1945-1990, p.204)

This poster is in good condition and ready to be framed.